‘Saiyaara’ is flawed but does most things right
The film’s timing—released while the industry is overwhelmed with high-octane, VFX-driven blockbusters and talentless star kids—worked in its favour.
The film’s timing—released while the industry is overwhelmed with high-octane, VFX-driven blockbusters and talentless star kids—worked in its favour.
The iconic train ambush scene—with dacoits falling in slow motion, bullets slicing through dust and light—set a new benchmark for spectacle.
Released on July 18, the film has earned more than INR200 million daily since its opening.
In his latest movie, Abhishek Bachchan portrays a man abandoned by his family who finds hope in the companionship of a young orphan.
In a world of dating fatigue, career pressure, and emotional confusion, the movie is both timely and tender.
‘Kim Ji-young: Born 1982’ follows a Korean woman whose life mirrors the quiet struggles shared by many.
The movie explores how dying young doesn’t mean living less, but living deeper, with quiet defiance.
‘Superboys of Malegaon’ is a heartfelt tribute to small-town dreamers who make films with passion and limited resources.
Recently featured at KIMFF, ‘Kottukkaali’ shows how casteism can undermine love, autonomy, and truth.
Recently screened at KIMFF, ‘A Shadow Grows Within the Void’ explores the quiet agony of being unseen.
In 15 minutes, ‘Maitighar’ paints a moving portrait of womanhood and their cultural duty.
‘Wonderland’ is a visually stunning film that explores grief through a near-future simulation service allowing people to reconnect with lost loved ones.
The film makes a sincere effort to portray characters struggling financially amid post-pandemic recession. But a contrived resolution highlights the film’s uninspired political imagination.
‘Ke Ghar Ke Dera—Ghar No. 2’ is emotionally shallow. Its fragmented narratives and sidelined female characters fail to leave an impact.
The movie takes viewers on a quiet, powerful journey through history, tradition, and personal rebellion—all without heavy dialogue or drama.
The movie is set in modern-day Nepal and inspired by real events.
The simplicity of the cinematography complements the understated elegance of the film’s storyline.
The movie blends magical realism with social commentary on themes such as identity and cultural conflict.
The movie resonates with those who’ve been told to ‘play it safe’ instead of following their passions.
The film, though it has its flaws, doesn’t follow a typical love story formula. It dares to be different.