The Post brings you a lowdown on some major events this week.

The workshop will teach participants how to weave circular fashion and revive a fading craft.

For generations, the Tharu have practised a quiet, enduring form of printmaking—one rooted not in studios, but in kitchens, courtyards, and rituals.

Before his passing in 2024, political thinker James C Scott wrote a radical ode to floods, arguing that taming rivers does more harm than good.

Students rely on machine-generated content, skipping essential processes like analysis, interpretation, and articulation. With conveniences come consequences.

Drawing from literature and ancient Eastern texts like the ‘Natyashastra’, Nirmala Mani Adhikary challenges the Western dominance in communication theory.

International artists in residence present works on diaspora, displacement, and cultural memory.

The film’s timing—released while the industry is overwhelmed with high-octane, VFX-driven blockbusters and talentless star kids—worked in its favour.

Combining microneedling with radiofrequency energy, MNRF offers an effective solution for sagging skin and more.

Singh, a model, competed as a contestant in The Face of Nepal Volume Five.

The iconic train ambush scene—with dacoits falling in slow motion, bullets slicing through dust and light—set a new benchmark for spectacle.

When we feel irritated or threatened by someone’s behaviour, it helps to pause and ask: Why does this bother me so much?

The programme showcased lyrics from writers including Durgalal Shrestha, Basanta Chaudhary, Manju Lama, Madan Krishna Shrestha, and Kshetrapratap Adhikari among others.

As traditions evolve, community voices reflect on Rodhi’s fading essence. Once a space of song, solidarity, and shared wisdom, it is now at risk of being misrepresented and forgotten.

American artist Peter Makela presents works inspired by sacred walks and worship in the Kathmandu Valley.

The Post brings you a lowdown on some major events this week.

Stepping into a character can be intense, but stepping out of it might be even harder. How do actors return to themselves once the project ends?

Prawin Adhikari’s ‘Budhani’, a retelling of an age-old Tharu folktale, is more than just another fable where wisdom wins over the wicked.

The story of migration, corruption, and shattered dreams of Nepali youths at Mandala Theatre.

Siddhartha Art Gallery’s recent exhibition reflects on stories of a city told through frames and fragments of time.